CAPTAIN AMERICA: THE FIRST AVENGER review

Jul 31 2011 Published by under Film, Reviews

Written by: Christopher Markus and Stephen McFeely
Directed by: Joe Johnston
Genre: Action, comic, war, sci-fi

After being deemed unfit for military service, Steve Rogers (Chris Evans) fights for a place on a top secret research project run by Colonel Phillips (Tommy Lee Jones) and Dr Erskine (Stanley Tucci) that turns him into Captain America, a superhero dedicated to defending America’s ideals.

I should start by saying that whilst I’m not American I do love America.  I grew up in England and now live in Australia but ever since I first visited the US in 1984 I’ve felt a love for the country that simply isn’t there for my native land.  I’ve been back seven more times since then and long for the chance to move to the US on a permanent basis.  All this is a kinda gooey, hokey way to say that I’m not one of these people who dislike America for it’s storybook ideals and “we’re number 1″ attitude.

The most disappointing thing about Captain America: The First Avenger is that it’s going to be (or already is) number 1 at the box office not because it’s a particularly good film, but because it plays to that phony rah rah attitude of American superiority.  I know America is awesome, I don’t need to be hit over the head with nostalgic patriotism.

As for the film as a whole, I found that the first act was my favourite section of the film because we actually got to spend some time with the characters, whereas Joe Johnston sped through the story in the later acts just so he could get to the next action sequence.  I know it’s a delicate balance when it comes to the pacing of a film, you don’t want to skip ahead too quickly or linger too long, but with Captain America I feel that the whole campaign against Hydra begun, proceeded and concluded far to quickly.  Yeah, he’s Captain America, but that doesn’t mean he can’t encounter some kind of obstacle or setback.  We all know he’s gonna win in the end, the hero always does, but the protagonist needs to face an obstacle.  That’s screenwriting 101.

On the actor side of things I think Chris Evans, Hugo Weaving and Tommy Lee Jones did a decent job, but Haley Atwell as the sexy 1940s pinup-like  officer was a real negative for the film.  I realise they can’t cast some skinny blonde bombshell but my complaint isn’t entirely based on Atwell’s looks.  I think she gave a somewhat OK performance with the material she was given, but that whole romance between her and Captain America was completely manufactured.  There was nothing natural or organic about their relationship, and the “meet in one week” conversation as his plane was going down was laughable.  I’m very hopeful given the way the film ended that Atwell won’t be returning in any form in either The Avengers or the likely sequel.

And speaking of how the film ended, I hope they explain how a guy can be buried in ice in the Antarctic(?) for 70 years and neither age or die.  That seems ludicrous even for a comic movie.

RATING:  6/10

CONCLUSION
I think Captain America: The First Avenger works best as an origin story which sets up Joss Whedon’s upcoming The Avengers.  The first act is decent but the rest feels rushed and paced far too quickly.  Chris Evans is a credible Steve Rogers and Hugo Weaving once again does a good job as a villain.  The special effects are OK and the film is passable.  I wasn’t expecting to be blown away and Captain America: The First Avenger met those expectations.

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THE MEN WHO STARE AT GOATS trailer

Sep 01 2009 Published by under Film

Well this one looks fucking awesome.  I can go either way with Ewan McGregor, sometimes his movies are great (Trainspotting) and other times his movies are shit (Miss Potter), but I always enjoy George Clooney, even if he makes some terrible commercial stuff like Intolerable Cruelty.  Add to these two the amazing Kevin Spacey, J.K. Simmons and Jeff Bridges and this becomes a must see flick.

The film tells the story of a reporter in Iraq (McGregor) who might just have the story of a lifetime when he meets Lyn Cassady (Clooney), a guy who claims to be a former member of the U.S. Army’s First Earth Battalion, a unit that employs paranormal powers in their missions.

The film is set to open on 6th November.

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THE HURT LOCKER review

Jul 11 2009 Published by under Film, Reviews

© Summit Entertainment

© Summit Entertainment

War films are a difficult thing to pull off.  Too much action and it seems glorified, too little and it’s dull.  Jarhead, one of my more memorable war films in recent years suffered for being pretty dull.  Sure it conveyed the everyday life of those stationed overseas well, or as well as I’m knowledgable enough to know, but it didn’t really make for a good film.  For the most part I think The Hurt Locker straddles the midway point of the two extremes that I believe war movies should avoid, whilst at the same time it doesn’t get bogged down in the politics of war.  Those looking for a political agenda in this film will certainly be disappointed.  Come to think of it, those looking for much of a story will be disappointed too.

The film follows Bravo Company, a team of three men whose job is to disarm roadside bombs in Iraq.  New team leader Staff Sergeant William James (Jeremy Renner) commands Sergeant JT Sanborn (Anthony Mackie) and Specialist Owen Eldridge (Brian Geraghty) as they try to finish out the last 38 days of their tour.  James is a bit of a cowboy but over time the three develop a bond.  That’s about the extent of the story.  Aside from the final five minutes you don’t really get that much insight into the characters, but instead you’re treated to the world they live in and the terrifying job they have to perform.

There aren’t many films I can remember watching and feeling tense and anxious the entire way through, but that’s the feeling you get when you watch The Hurt Locker.  It sucks you in and makes you live the life of these soldiers.  It’s pretty much 2 hours of nerve-wracking suspense with you constantly thinking their next step will be their last.

I don’t really enjoy war movies.  It doesn’t matter which war a movie is set in, the genre just doesn’t appeal to me.  In fact the only war movie that comes to mind which I’d be happy to watch again and again is Paul Verhoeven’s Black Book.  However, because I have such strong feelings about the current wars in Iraq and Afghanistan I have a particular distaste for all movies based around these wars.  Part of that I’m sure is because I have no real connection to these conflicts.  Aside from the US and Iraqi/Afghan nationals I don’t think anyone has a real connection to the current conflicts taking place.

I remember being at Seaworld in Orlando back in 2005 and before a show started the announcer asked if there were any servicemen or women, ex-servicemen or women, or families of these two in attendance.  They then asked them to stand and the crowd cheered for them.  This whole concept is completely alien to me.  There’s literally nothing like this that would occur in Australia or England (I lived in England for 18 years just for a little background).  It’s this kind of demonstration and the hyper patriotism, almost borderline facism, which you see when in America that leads me to believe that only an American can truly appreciate a film based in or around the Iraq or Afghanistan war.  They invariably tell the story of Americans and these conflicts have become so entrenched in the American psyche that I feel like I’m approaching these types of films as a complete outsider.

However, just because I can’t fully appreciate the significance of the war to Americans doesn’t mean that I don’t recognise a good film when I see one, and The Hurt Locker is a good film.  Kathryn Bigelow is able to insert you into the environment that these soldiers deal with and make you feel like a part of it.  It’s almost like you begin to fear for your safety not just for the characters onscreen.  The camera work and cinematography are highly impressive, with the alternating warm and cool tones able to once again impress upon you the feel of the environment.  I don’t know if it was filmed in Iraq but it certainly portrays what I think Iraq would look like.  Ultimately the film succeeds for me because it works as a simple suspense thriller with an uncanny ability to fill me with unending tension and to make me feel like I’m actually there living the experience.

CONCLUSION
Like I said, I don’t like war movies, but I think that all war movies should be political because wars are intrinsically political.  In my opinion there’s no reason to make a war movie if you’re not trying to say something.  Come down on either side of the argument but have something to say and pick a side.  The Hurt Locker does neither.  That being said, it does embed you into the experience like no other war movie I can think of, and it makes you realise the extraordinarily frightening situations that these brave soldiers face on a daily basis.  For that alone it’s worth seeing.

FINAL GRADE: B+

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Yet another INGLOURIOUS BASTERDS poster

Jul 10 2009 Published by under Film

Here’s yet another Inglourious Basterds poster.

I’m all for promoting a film but you’d think that anyone interested in seeing this one is already well aware of it.  How much increased attendance do you think another poster will generate?  I’d say the money spent on all these variants would have been better kept in the bank account of The Weinstein Company considering their financial woes.

I B Teaser 1-Sht.

(source = IMP Awards)

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4 new INGLOURIOUS BASTERDS character posters

Jul 04 2009 Published by under Film

Here are four new character posters for Quentin Tarantino’s upcoming revisionist war movie Inglourious Basterds.  The posters depict Lt. Aldo Raine, Colonel Landa, Shosanna Dreyfus, and Bridget von Hammersmark.

The film is set to open on 21st August.

inglourious_basterds_ver10

inglourious_basterds_ver11

inglourious_basterds_ver12

inglourious_basterds_ver13

(source = IMP Awards)

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INGLOURIOUS BASTERDS full trailer

Jun 23 2009 Published by under Film

Finally the full trailer for Quentin Tarantino’s Inglourious Basterds has been released.

I was a little underwhelmed by the script when I read it, but I have the utmost faith that Tarantino will deliver another amazing film.  He hasn’t let me down yet so there’s no reason to think he’ll start now.

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New international INGLOURIOUS BASTERDS poster

Jun 18 2009 Published by under Film

Here’s the new international poster for Quentin Tarantino’s upcoming action war flick Inglourious Basterds.  The character posters were cool and all, but this one really pops if you ask me.

I’m hopeful that the Weinstein company won’t screw around with the film as a way to get their poor finances in order.  But considering what they did to Grindhouse I’m more than a little concerned.

Inglourious Basterds international

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