YESSSSSS… Joe Eszterhas returns

Aug 06 2009 Published by under Celebrities, Film, Scripts

eszterhas

The Hollywood Reporter is today reporting that Joe Eszterhas will be returning to Hollywood for his next project based on the Virgin of Guadalupe, an icon of the Virgin Mary that supposedly appeared to a Mexican peasant in the 16th century.

This is a bit of a change of pace from his usual sexually charged material, but I don’t care.  I’m a massive fan of Eszterhas so in my opinion any Eszterhas is better than no Eszterhas.

Now if only he could convince Paul Verhoeven to direct it I’d be in heaven.  Maybe they could even talk about the canned sequel to Showgirls they planned on making.

(source = The Hollywood Reporter)

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NO HEROICS pilot script review

May 19 2009 Published by under Reviews, Scripts, TV

No Heroics - Original British cast

The original British cast

Written by: Drew Pearce & Jeff Greenstein
Plot/Info: Superheroes are real.  They interact in society just like regular people.  The show follows four friends who are B-list “capes” and frequent the only superhero bar in New York called “The Watchtower.”  The show is an adaptation of a British show which aired last year on ITV2.

I’m a pretty big fan of the original British version of the show, with its dry humour and great premise, so I was quite excited to hear that the show was being adapted for the US.  In my mind it was gonna be another great adaptation like The Office, but despite having the original creator Drew Pearce involved it unfortunately all seems to fall a bit flat.  The great thing about the original version is that the whole point of the show is to illustrate that being a superhero isn’t all that it’s cracked up to be, and that there are still class divisions within that segment of society.  The tone of the original show seemed to fit this much better than this script has done.

There have been changes to the characters in the adaptation, although I can’t figure out why they felt the need to do that other than to try and make the show more of their own.  In the original version there was Alex who controlled heat, Sarah who controlled machines with her voice, Don who could see 60 seconds into the future, Jenny who had super-strength, and Devlin who was the alpha-male #1 superhero.  The US version changes the majority of these, there’s now Pete who controls the cold, Callie who can be invisible for a limited time, Nigel who can read minds if he’s within 3 metres, Sandy who has super-strength, and Bradley who’s the alpha-male.  In addition, the bouncer/doorman at the bar has been changed from Thundermonkey (who can calls his monkeys to do his bidding) to Horseforce (who does the same but with stallions).

One of the first things that struck me when I read the script was a glaring mistake.  The title of the show comes from a sign on the outside of the bar which reads “”NO MASKS, NO POWERS, NO HEROICS” yet there’s this action almost directly under this:

INT. THE WATCHTOWER – MAIN ROOM – CONTINUOUS

They enter a bustling speakeasy. We catch glimpses of superpowers -- a glowing finger, someone levitating.

It seems pretty important to me that this integral element of the show should be maintained and not disregarded almost immediately.  Maybe it’s just an oversight, but it’s a pretty damn big one wouldn’t you say.

The only saving grace of the script is the fact that Don/Nigel is still gay, and is British to boot, in the US version.  I’m assuming they did this in order to appeal to a wider audience and to play off his accent and demeanour in combination with his sexual orientation, but the result is still not that great and the character, whilst essentially the same as the original version of the show, is not as well written.  Overall he seems to lack the biting edge that he has in the British version.  The other main downfall of the script is that it’s just not funny.  In fact, this was the only section which I thought was any good:

EXT. SUBURBAN BACKYARD – LATER

A fairy-lit kids’ party with a makeshift stage. Pete, now in full costume, is backstage with the birthday girl’s dad. Pete peeks out at the crowd of expectant, sugar-high kids.

PETE

Are any of them biters? Because I’ve had trouble with biters before.

DAD

Not that I know of, Chillaxe.

PETE

Chillout. I mean, it’s fine if there are. But maybe we could have a little muzzle standing by? A little makeshift muzzle, just in case?

DAD

Where’s the invisible girl you promised?

PETE

What can I say? She disappeared!

Pete laughs uproariously at his joke. The dad does not.

PETE (CONT’D)

Yeah, she’s not coming.

DAD

So what am I getting for my money? You gonna do some flying?

PETE

Well, no, flying’s not really on the menu. But you can expect a cavalcade of frozen fun and sub-zero sensation!

DAD

You make crap out of ice?

PETE

I make crap out of ice.

DAD

Listen, don’t mess up my baby girl’s big day, okay? She’s got it hard enough, being in a wheelchair.

PETE

Really? Oh, man, that’s terrible.

(beat)

My three best disabled jokes just went right out the window.

Ultimately I think it was a good decision that ABC declined to pick up the show as this will leave all of us who are/were interested in the premise to seek out the superior British version when it becomes available on DVD.

Final Grade:  C- (I could have rated it lower, but I still like the whole premise of the show)

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PAUL script review

May 13 2009 Published by under Film, Reviews, Scripts

Simon Pegg

Simon Pegg

GENRE: comedy/action

PLOT:
After attending the San Diego Comic-con, two British nerds travel across America to visit Area 51.  Along the way they encounter an alien named Paul who enlists their help to travel north.

I absolutely LOVE Simon Pegg and Nick Frost.  They were awesome in their first project, Spaced, and they continued that excellence through Shaun of the Dead and Hot Fuzz.  Pegg can currently be seen playing Scotty in JJ Abrams reboot of Star Trek.  I first heard about Paul around August 2008 on AICN and have really been waiting for more information on it ever since, which is why it was such a surprise for me to receive it today.  Needless to say, I quickly stopped reading Grand Theft Auto and sunk my teeth into the script.

Put simply, it’s f’ing great.  It’s obviously very funny, there are some great Back to the Future references, fun action scenes, and even a debate about evolution and intelligent design between Paul and Ruth.  There’s literally nothing I dislike about this script.  Nothing.  That may be because I’m easily pleased when it comes to films/scripts, or because of my admiration of Pegg and Frost, and whilst these things may be true, there is simply no denying that Paul is a great, silly, fun, and caring film.  My reviews are never that insightful to begin with, but it’s especially hard when I enjoy something as much as I enjoyed this, it just turns into 300 words of me gushing about how great it is.

Here’s just a taster of the Back to the Future references:

CLIVE looks at GRAHAM who is staring off, wide eyed.

CLIVE

What’s wrong?

GRAHAM points off into the distance. HEADLIGHTS.

GRAHAM

It’s them. They found us. I don’t know how but they found us.

CLIVE

Who? Who’s found us?

GRAHAM

The Libyans!

CLIVE

Run for it Marty!

Pros:

  • Everything

Cons:

  • Nothing

Final Grade: A

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Even better SCRIPTS added

May 13 2009 Published by under Film, Scripts

As great as it was to get GROWN UPS in, these ones are better.

DATE NIGHT – Josh Klausner
DEATH AT A FUNERAL – Chris Rock & Ayesha Carr
THE GILMORES OF BEVERLY HILLS – Chris Rock & Ali LeRoi
GREENBERG – Noah Baumbach
THE HARDY MEN – Ron Parker
PAUL – Simon Pegg & Nick Frost

PAUL is real, I’m reading it now and hopefully will have a review up soon.

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3 SCRIPTS added

May 13 2009 Published by under Film, Scripts

10A/10B – Floyd Byars
DANNY GRAVES’ MAN CAVE – Jacob Isser & Paul Lutz
VALENTINE’S DAY – Katherine Fugate and Abby Kohn & Marc Silverstein (02/18/09)

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3 MOVIE SCRIPTS added

May 12 2009 Published by under Film, Scripts

©

© 20th Century Fox

Some nice scripts found their way to me today.  One of which I’m pretty excited to read (hint: it stars Ben Stiller),  Thanks to those who sent them to me.  If anyone’s reading this and has something to donate, you can do it through the contact form on the about/contact page.  Thanks.

  • ALICE – Linda Woolverton (02/23/07)
  • GHOSTS OF GIRLFRIENDS PAST – Jon Lucas & Scott Moore and Jeff Nathanson, David Diamond & David Weissman (01/25/08)
  • NIGHT AT THE MUSEUM: BATTLE OF THE SMITHSONIAN – Robert Ben Garant & Thomas Lennon and Scott Frank (11/04/07)

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ROGUE STAR script added

May 11 2009 Published by under Film, Scripts

Just got the script for ROGUE STAR by Jeff Black.  From what I’ve heard, it’s something akin to Alien(s).  That alone is enough to intrigue me.

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A whole bunch of TV PILOT scripts

May 10 2009 Published by under Scripts, TV

I was fortunate enough to get a large number of upcoming TV pilot scripts in over the last day.  I’ve already reviewed Community and Happiness Isn’t Everything, and I hope to be able to review most of the others in the next week, but it depends how I progress with uni work.  Anyway, here’s what came in:

BACK – Dean Widenmann
EASTWICK – Maggie Friedman
EMPIRE STATE – Michael Seitzman
THE FORGOTTEN – Gerald Di Pego, Eric Roth & Zak Penn
HAPPY TOWN – Josh Appelbaum, Andre Nemec & Scott Rosenberg
HOUSE RULES – Michael Seitzman
MASTERWORK – Paul T. Scheuring
SONS OF TUSCON – Greg Bratman & Tommy Dewey
THREE RIVERS – Carol Barbee
UNTITLED HEMINGSON LEGAL DRAMEDY
WASHINGTON FIELD – Jim Clemente & Tim Clemente and Edward Allen Bernero

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HAPPINESS ISN’T EVERYTHING pilot script impressions

May 09 2009 Published by under Reviews, Scripts, TV

Jason Biggs

Jason Biggs

According to Nikke Finke, this is the younger-skewing sitcom written by Mitchell Hurwitz and Jim Vallely, and starring Jason Biggs, that CBS thinks could do well paired with The Big Bang Theory. “The network is happy with the way it came in.” Good thing, too, because this is CBS’ biggest commitment and there’s a giant penalty. Five scripts are already in.

I’m not gonna bother with a full review of the script because frankly it was pretty terrible.  Call me a stickler, but I think a sitcom should actually be funny, and this one isn’t.

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COMMUNITY pilot script review

May 08 2009 Published by under Reviews, Scripts, TV

Chevy Chase

Chevy Chase

First of all a little background. NBC’s “Must See TV” branding first entered into usage during the 1982-83 TV schedule when the programming included Fame, Cheers, Taxi and Hill Street Blues, a lineup that whilst I was not an actual viewer (I was 4 years old at the time), I would consider to be “Must See TV”. Skip forward 26 years and the lineup on Thursday nights may not necessarily have the historical significance that it did back in 1982, but save for a couple of exceptions, it certainly has an abundance of quality.

NBC’s current Thursday schedule is My Name is Earl, Parks and Recreation, The Office, 30 Rock, and Southland. I soured on Earl a long time ago and I’ve yet to watch Southland, but the middle pack of shows are fantastic and only promise to get better. So, whilst NBC may no longer use the “Must See TV” moniker, instead settling on “Comedy Night Done Right”, I think that the current Thursday schedule is the closest that NBC has come to “Must See TV” since 1996-97 when the schedule consisted of Friends, The Single Guy, Seinfeld, Suddenly Susan, and ER.

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