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Not bad, but not that good either.  I think Prince of Persia looks better and has better talent attached.  I guess we’ll all find out in the new year.

Here’s the new poster for the upcoming remake of A Nightmare On Elm Street.

It’s pretty cool, but what can you tell from a poster?  I pretty much hate all remakes, but especially remakes of horror classics.  I’ll see this one when it comes out, but I’d bet my left nut that it’s gonna be shit compared to the original.

(source = IGN)

Here are the three new posters for The CW’s reboot of Melrose Place.

I never watched the original and I think I’m a little too old (31), a little too male, and a little to straight to be watching this when it airs in September.

(source = The Hollywood Reporter)

I’m still hugely disappointed that this is being made, but when a studio starts to think that something’s a good idea they stick to that line of thinking.  Remaking a John Carpenter film isn’t a good idea, especially Halloween, and that will be proven for the second time when Halloween II is released on 28th August.

Anyway, here’s the Canadian poster for Rob Zombie’s hack attempt at remaking a horror classic.

(source = IMP Awards)

I’ve said it before, but I hated Rob Zombie’s remake of Halloween.  In my opinion the original is just about the perfect horror movie and there was no reason whatsoever for it to be remade.  I was hoping that the relative failure of his first attempt would mean that a follow-up would not come about, but unfortunately he was given the go ahead.

Maybe as it drifts further away from the original story it will be better, ‘cos I’m having a hard time believing it could be any worse than his first attempt.

I haven’t seen the original and I have no interest in seeing this remake, but here’s the new trailer for Fame.  Those of you who are in to this sort of flick will probably get a kick out of it, so enjoy.

I’m still horrified by the terrible remake of Halloween that Rob Zombie did a year or two ago.  How on Earth could anyone think that remaking a horror classic like Halloween would be a good thing.  Needless to say I’m pretty damn annoyed that he got to have a shot at the sequel too.

Here’s a new TV spot for H2 anyway as I’m sure there are some out there who enjoyed his first attempt and want more of the same.  Me, I’ll stick to the brilliant original.  That theme still terrifies me to my core.

The original British cast

Written by: Drew Pearce & Jeff Greenstein
Plot/Info: Superheroes are real.  They interact in society just like regular people.  The show follows four friends who are B-list “capes” and frequent the only superhero bar in New York called “The Watchtower.”  The show is an adaptation of a British show which aired last year on ITV2.

I’m a pretty big fan of the original British version of the show, with its dry humour and great premise, so I was quite excited to hear that the show was being adapted for the US.  In my mind it was gonna be another great adaptation like The Office, but despite having the original creator Drew Pearce involved it unfortunately all seems to fall a bit flat.  The great thing about the original version is that the whole point of the show is to illustrate that being a superhero isn’t all that it’s cracked up to be, and that there are still class divisions within that segment of society.  The tone of the original show seemed to fit this much better than this script has done.

There have been changes to the characters in the adaptation, although I can’t figure out why they felt the need to do that other than to try and make the show more of their own.  In the original version there was Alex who controlled heat, Sarah who controlled machines with her voice, Don who could see 60 seconds into the future, Jenny who had super-strength, and Devlin who was the alpha-male #1 superhero.  The US version changes the majority of these, there’s now Pete who controls the cold, Callie who can be invisible for a limited time, Nigel who can read minds if he’s within 3 metres, Sandy who has super-strength, and Bradley who’s the alpha-male.  In addition, the bouncer/doorman at the bar has been changed from Thundermonkey (who can calls his monkeys to do his bidding) to Horseforce (who does the same but with stallions).

One of the first things that struck me when I read the script was a glaring mistake.  The title of the show comes from a sign on the outside of the bar which reads “”NO MASKS, NO POWERS, NO HEROICS” yet there’s this action almost directly under this:

It seems pretty important to me that this integral element of the show should be maintained and not disregarded almost immediately.  Maybe it’s just an oversight, but it’s a pretty damn big one wouldn’t you say.

The only saving grace of the script is the fact that Don/Nigel is still gay, and is British to boot, in the US version.  I’m assuming they did this in order to appeal to a wider audience and to play off his accent and demeanour in combination with his sexual orientation, but the result is still not that great and the character, whilst essentially the same as the original version of the show, is not as well written.  Overall he seems to lack the biting edge that he has in the British version.  The other main downfall of the script is that it’s just not funny.  In fact, this was the only section which I thought was any good:

Ultimately I think it was a good decision that ABC declined to pick up the show as this will leave all of us who are/were interested in the premise to seek out the superior British version when it becomes available on DVD.

Final Grade:  C- (I could have rated it lower, but I still like the whole premise of the show)